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Till We Meet Again Ray Milland

Written By Lascelles Adaines Thursday, 24 March 2022 Add Comment Edit
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Ray Milland and Barbara Britton in Till We Meet Again (1944)

In France, the Mother Superior of a convent, and the convent's gardener, Pierre Cabeau, work with the French underground to help escaping prisoners of state of war. When an American pilot named John ... Read all In French republic, the Mother Superior of a convent, and the convent's gardener, Pierre Cabeau, work with the French undercover to aid escaping prisoners of war. When an American pilot named John is shot down over France, he is directed by the secret to the convent's chapel. His a... Read all In French republic, the Mother Superior of a convent, and the convent's gardener, Pierre Cabeau, piece of work with the French underground to help escaping prisoners of state of war. When an American pilot named John is shot downward over France, he is directed by the underground to the convent's chapel. His appearance there startles Sister Clothilde, a novice who dislikes men, simply she informs Moth... Read all

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    In France, the Mother Superior of a convent, and the convent'south gardener, Pierre Cabeau, work with the French underground to help escaping prisoners of war. When an American pilot named John is shot down over France, he is directed by the hole-and-corner to the convent'southward chapel. His appearance in that location startles Sister Clothilde, a novice who dislikes men, but she informs Mother Superior of his presence. Because he is conveying important information from the French underground intended for the English government, arrangements are made for John to pose every bit the shell-shocked hubby of a local woman, Madame Bouchard, and escape to England using forged papers. Before he can abscond, notwithstanding, Nazi Major Krupp breaches the cloister and enters the convent grounds, frightening Clothilde when he threatens to take several girls for "service" unless John is found. Clothilde, who has non been exterior the convent walls since she was eight years old, unintentionally reveals John's presence to Krupp. Mother Superior later scolds Clothilde for her naivete, and advises the girl that every bit nuns, they are not exempt from the suffering of real life. Later, Pierre brings give-and-take that Mme. Bouchard has been arrested while John was waiting for her at the bridge. When High german soldiers insist on searching the convent, Mother Superior refuses to admit them and is accidentally shot when they shoot out the lock on the door. Having understood Female parent Superior's previous words to her, Clothilde meets John at the span and takes Mme. Bouchard'due south identify, posing as "Louise Dupree." At a windmill operated by the underground, a passport photograph is taken of Clothilde, and she and John are given instructions. While pretending that John is Clothilde'due south mute husband, the two make their style across the countryside by night, and arrive at an abandoned farmhouse subsequently narrowly escaping death during an air raid. John is wounded during the set on, however, and Clothilde administers medicine which, forth with food, has been hidden in the farmhouse by the underground. When John awakens in the forenoon, he finally recognizes Clothilde as the novice from the convent. Clothilde admits that she loathes men because of her male parent'due south infidelity, but when John speaks reverently of his wife and son, she sees the beauty of matrimony. For the remainder of their journey, Clothilde, with a new amore for John, ably assists him. Upon reaching the train station, they learn that an air raid has damaged the tracks and the train will not exist running. Clothilde and John so get to a eating house, simply when a German language soldier grabs her for some female companionship, John strikes him. Clothilde is recognized by Vitrey, the mayor of her town who has been searching for John, and he takes them earnest. John, however, knocks Vitrey out subsequently wresting his gun from him, and they escape to a condom house. Madame Sarroux, the landlady, has arranged with Pierre, who is there, for Clothilde to work equally a waitress in a boardinghouse, where John will consume and then hide in a storeroom until he hears the mechanized playing piano. According to the programme, John will and then slip through a trapdoor into a waiting gunkhole. Unknown to them, Nazi soldiers have tracked them to Sarroux'due south house. Clothilde and John escape to the boardinghouse, but Sarroux is unable to withstand the Nazi torture and reveals their destination. Clothilde is captured by Krupp at the boardinghouse, and, in exchange for John's life, makes a deal with Krupp to bring him the secret document. Krupp lets Clothilde go, trusting her nun'southward vow that she will return. John insists that for her own safety, Clothilde back-trail him out of the land, but she demurs, and they bid each other a heartfelt farewell. John climbs through the trapdoor to the waiting boat, and Clothilde bravely returns without the papers to confront Krupp. Although Clothilde maintains that she kept her promise to return, an angry Krupp declares that he will force her to "service" German officers as penalisation. Appalled past this sacrilegious suggestion, Vitrey pulls his gun, and equally a Nazi soldier struggles with him, the gun discharges and kills Clothilde.

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    Spiritually Heartrending Portrait of a Nun and Her Love for an Aviator

    This is the fourth Borzage picture show I have seen in which the Nazis are depicted as horrific evils or threats to the luminous lovers. Whereas "Little Man, What Now", "Three Comrades", "The Mortal Storm" are set in Germany, "Till we Meet Over again" - a Paramount production - is set in occupied France during WWII, and it doesn't star Margaret Sullavan. Instead it centers on a nun (Barbara Britton) and her love for a fugitive American aviator (Ray Milland) and her tragic, spiritual enkindling to the outside world. Their love transcends the hostile, war-torn background that surrounds them every bit they are chased by the Nazis.

    It's one of Borzage'due south most highly spiritual works, and the setting of a convent (in the beginning), the focus on the nun, the awesomely spiritual communion of the lovers – heightens its sense of spirituality. The photography (as ever) is haunting and painterly. Britton & Milland are fabulous together; they make a lovely yet vulnerable couple that we can sympathize all forth. The most memorable moment is the scene where Milland explains to her what spousal relationship ways to him. The manner he defines marriage, the eloquence of his oral communication, the highly erotic scenes between them, non to say the remarkable radiance of Britton's face up, are only sublime.

    I idea the ending was rushed and problematic; it didn't make sense to me. However I was very pleased with the rest of the flick. I heartily recommend "Till We Run across Again", especially to Borzage fans, if you become a chance to watch it.

    • Kalaman
    • May 26, 2004

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    Ray Milland and Barbara Britton in Till We Meet Again (1944)

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    Source: https://www.imdb.com/title/tt0037379/

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